Linda Ronstadt

Linda Ronstadt once filled concert halls with her voice. Now, progressive supranuclear palsy—the condition initially diagnosed as Parkinson’s disease—has changed even the quiet parts of her life. She can no longer sing or walk long distances, and sitting through a concert has become difficult. She spends much of her time at home, far from the live music she loves. In one interview, she said she could get out to the opera or symphony only a few times a year.

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In 1987, Linda Ronstadt joined Emmylou Harris and Dolly Parton for the landmark album Trio, which soared to the top of the country charts. Ronstadt described Emmylou’s voice as the purest sound imaginable, while Dolly seemed to sing from a dazzling world of crystal. Harmonizing with them, she felt their extraordinary voices lifting her higher—as though she were soaring upward on the strength of their musical wings.

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Emmylou Harris once described Linda Ronstadt as possessing perhaps the most beautiful voice of any singer of the 20th century—placing her alongside the legendary Maria Callas. Yet it was not only Linda’s voice that Harris admired. She was equally inspired by her courage: Linda followed her artistic instincts fearlessly, creating the music she believed in without allowing commercial expectations to control her choices. Linda Ronstadt’s admiration for Emmylou was just as profound. After Gram Parsons died, Linda understood how deeply Emmylou missed her musical partner. Secretly, she dreamed of riding into the sunset with “Emmy” and forming an enduring duet of their own—two women harmonizing so beautifully that they might become “The Everly Sisters.”

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“The record label once warned Linda Ronstadt, ‘We don’t think you should work with Nelson Riddle—it could bri I looked at them as though they had suddenly grown four heads. To me, it was never a joke or a decision that needed to be weighed. When I opened my mouth to sing, that was simply the music that naturally rose from the de Mexican music was the same. I didn’t choose it—it had always lived inside me. The moment I opened my mouth, the Spanish melodies and lyrics came pouring out. Those songs had been waiting in my mind for years, crowded together like cattle behind a gate, each one longing for its turn to break free and be heard.”

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Linda Ronstadt’s breathtaking voice and fearless versatility made her one of music’s most unforgettable artists. From “You’re No Good” and “Blue Bayou” to the Mexican classics of Canciones de Mi Padre, she moved effortlessly through rock, country, pop, and traditional music. A multiple Grammy winner who collaborated with artists such as the Eagles and Aaron Neville, Linda continually broke musical boundaries while honoring her heritage. Although illness eventually ended her singing career, it could never silence her influence. Her voice remains timeless—powerful, emotional, and impossible to replace.

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Linda Ronstadt’s voice remains one of the most breathtaking and versatile in popular music history. Whether soaring through a rock anthem, aching within a country ballad, or honoring her heritage through a traditional Mexican song, she possessed a rare ability to make every emotion feel deeply personal. Her extraordinary artistry earned generations of devoted listeners and inspired countless performers across musical genres. Stars such as Sheryl Crow, Carrie Underwood, and Adele have all recognized Ronstadt as a powerful influence—proof that although illness may have silenced her singing voice, its impact continues to echo through music today.

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When Linda Ronstadt first presented “Heart Like a Wheel” to several producers, they dismissed it as overly sentimental and insisted it would never become a hit. Peter Asher, however, heard something completely different. He recognized the song’s charm, understood why Linda felt compelled to record it, and knew that its haunting beauty deserved the emotional depth of a cello. Peter also understood the McGarrigle Sisters—and that meant a great deal to Linda. Their music was unconventional, eccentric, and unlike anything else. While some people criticized their unusual sound, Linda considered it beautifully original. She even admitted that she could hardly understand anyone who failed to appreciate the extraordinary artistry of the McGarrigle Sisters.

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Linda Ronstadt — The Journey to Her Authentic Voice Linda Ronstadt admitted that she did not truly find her authentic voice until the 1980s. Earlier, she often imitated the artists she admired, preventing her singing from sounding completely natural. Judy Collins became her guiding spirit—not only for her voice, but also for choosing meaningful songs by writers such as Leonard Cohen, Bob Dylan, Stephen Sondheim, Randy Newman, and Joni Mitchell. Linda wanted to follow the same path: finding exceptional songs and interpreting them with genuine emotion. “Heart Like a Wheel” by Anna McGarrigle was the first song of that quality Linda discovered herself, but she was still searching for her own sound. By the mid-1980s, while recording her standards albums, she finally stopped imitating others, trusted her instincts, and learned to sing as herself. Her journey shows that talent may appear early, but discovering an authentic artistic identity can require years of growth and self-exploration.

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LINDA RONSTADT’S “LONG LONG TIME” FOUND ITS WAY BACK TO OUR HEARTS In 1970, Linda Ronstadt made heartbreak sound almost unbearably intimate. On “Long Long Time,” she held back just enough to let every word ache, turning a quiet ballad into her first major breakthrough. More than half a century later, The Last of Us introduced the song to a new generation. Streams soared, but its power was never about numbers. It was there all along—in the feeling of loving someone who may never love you back.